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Lucretius's long shadow falls across the disciplines of literary history and criticism, philosophy, religious studies, classics, political philosophy, and the history of science. The best recent example is Stephen Greenblatt's popular account of the Roman poet's De Rerum Natura (On the Nature of Things) rediscovery by Poggio Bracciolini, and of its reception in early modernity, winner of both a Pulitzer Prize and National Book Award. Despite the poem's newfound influence and visibility, very little cross-disciplinary conversation has taken place. This edited collection brings together essays by distinguished scholars to examine the relationship between Lucretius and modernity. Key questions weave this book's ideas and arguments together: What is the relation between literary form and philosophical argument? How does the text of De rerum natura allow itself to be used, at different historical moments and to different ends? What counts as reason for Lucretius? Together, these essays present a nuanced, skeptical, passionate, historically sensitive, and complicated account of what is at stake when we claim Lucretius for modernity.

Literature --- History --- literatuur --- literatuurgeschiedenis

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This book is an analysis of literary texts that question, critique, or subvert anthropocentrism, the notion that the universe and everything in it exists for humans. Bryan Moore examines ancient Greek and Roman texts; medieval to twentieth-century European texts; eighteenth-century French philosophy; early to contemporary American texts and poetry; and science fiction to demonstrate a historical basis for the questioning of anthropocentrism and contemplation of responsible environmental stewardship in the twenty-first century and beyond. Ecological Literature and the Critique of Anthropocentrism is essential reading for ecocritics and ecofeminists. It will also be useful for researchers interested in the relationship between science and literature, environmental philosophy, and literature in general.

Literature --- History --- science fiction --- literatuurgeschiedenis

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Rarity is a quality by which things flowers, leaves, light, sound fleetingly appear and disappear, leaving in their wake a resonance of something we just thought we had glimpsed. Each of the nine chapters in this book pursues such intimations of rarity in poetic ideas, images, and silences.

Poetry --- Literature --- History --- literatuur --- literatuurgeschiedenis --- poëzie --- Europe

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This book focuses on the twin arts of literature and music, supporting the notion that cosmopolitanism is the natural condition of all the arts, and that all culture - without exception - is migrant culture. It draws on examples ranging from the first to the twenty-first centuries AD, on locations as remote as Alexandria and Australia, on writers as different as Virgil and V.S.Naipaul, Arnold and Achebe, and on musicians as diverse as Bach and Bartok, Purcell and Steve Reich. Across thirteen chapters, the study explores the interpenetration of all forms of human expression, the fallacy of 'national' traditions and limiting conceptions of regional character. The result is an exploration of artistic and intellectual endeavour that is particularly welcome in the current political climate, encouraging us to view history in ways informed by our contemporary demographic and cultural concerns. Taken either as a series of interrelated case studies, or else as an evolving and sequential argument, this book is vital reading for scholars of music, literature, and cultural and social history.

Literature --- History --- postkolonialisme --- literatuur --- literatuurgeschiedenis --- wereldliteratuur --- Europe

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The aim of this book is to orchestrate "a generic reconstitution of literary studies" based on a comprehensive theory of genre and generic transformation. Taking "An Excellent Ballad of George Barnwel," a seventeenth-century broadside of sex and greed, Ralph Cohen analyzes the generic transformations-including Addison's ballad criticism in The Spectator, The London Merchant, Percy's ballad editing in Reliques, and Barnwell. A Novel-in which this particular ballad exhibits remarkable continuity over the next four centuries, culminating with his personal re-formation; what was considered non-literary criticism becomes literary. This unique literary history reconceives narrative as a component of genre rather than a genre itself, demonstrates the ineluctably mixed nature of genres and the literary nature of our humanness, and analyzes the shifting generic contexts for interpretation and gender relations. Incorporating theory consciousness into the literary genre he is regenerating, Cohen offers a brilliant example of how future literary histories might be written.

Comparative literature --- Literature --- History --- literatuur --- literatuurgeschiedenis